nice price deal !!! featuring peter licht. electro-poppy tune, breakz & breakhouse tunes to worship the sunny things!

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

aficionado enjoyed a storming start to 2017, serving up a pair of sell out eps from either end of the balearic shoreline - now they re back with one more for good measure. teaming up with the mancunian fashion house for a second season, this sonic selection pack is softer than velvet, smoother than silk and more durable than moonboots p.e. kit.

auf diesem album haben wir nach langer zeit einmal wieder sämtliche tatort-hits und -melodien zusammengestellt: klassiker, hits, unbekannte titel und bislang unveröffentlichte musikstücke - songs und melodien aus über 40 jahren tatort-geschichte.
lp 1 umfasst etliche „tatort“-songs von beginn des erfolgsformats bis heute: hits und titel von santana, chris rea, nina hagen und unveröffentlichte titel von hugo egon balder.
lp 2 enthält die schönsten melodien aus den tatort-folgen mit götz george dem legendären kommissar horst schimanski zusammengefasst sowie titel aus den schimanski-spielfilmen. mit westernhagen, chris norman, klaus lage, dieter bohlen, david knopfler und tangerine dream.
das doppel-vinyl erscheint im klappcover.

portable sunsets is one of the monikers of peter segerstrom: a producer based in brooklyn, us. he previously released his full-length album bless on atomnation, an lp as surfing on 1080p and another portable sunsets lp on deadelus magical property label. order is the follow up of these records and is a dreamy, somewhat lo-fi experimental techno lp. combined with an ancient ambient undertone, ‘order’ is not loosing its club ready vibe. this record floats somewhere between laid-back warehouse techno and the electronica genre - very much representing a unique style: peter often uses his own voice in his productions, programmed through self-created synths in max/msp. vocals have become textures and are used as a synth, pad or soundscape. the combination of genres makes order a perfect record to dream away on at home, as well as to dance to in clubs.

incl steve bug remix

a concept album on love, seduction and its variations, a further proof of artistic maturity for a duo which has built a shared artistic vision little by little. starting from the two musicians’ instruments, bits, samples, vocals, noises and percussions have been added to create a true polyphonic experience. magic.
limited edition of 450 numbered copies on white double vinyl, housed in a gatefold sleeve.

international bobbers from palmiarnia, forli, ness ziona and of course the knaresborough dream house hq. featuring the nippiness of møzaika, rnr, deep88 with l*j on dream sequence and art house vibes. illustrations from sebedražie with peter mokry.

brian abelson aka see other is one of the brightest talents in this field to emerge from new york in some time. he’s been honing and refining his style of brooding, purring, oscillating house rollers for some time. the final brew is humble mixture of low-slung smallville-esque house warmth, fred p level deepness and playful, tinkering wooden melodies that recall some of the finest work from the drumpoet community collective.
across this debut ep is a masterful grasp of the deep house template, with an array of hook-based elements that turn respectable raw bangers into transcendental experiences both at home and in the dance.
waitin is the modern classic, fallin is the party hammer, pushin is the soul & the feeling & the vibe, peter’s lament is the loving tender cuddle in a west coast hammock, change is the moody, sleep-deprived closer.

in 1979, emma dorgu decided it was time to act. he’d torn up the lagos live scene with the thermometers and conquered the airwaves with the single, ‘world people’. but there were injustices afoot, not just in nigeria, but in south africa and zimbabwe and across the continent as well, and he felt that something needed to be done. roverman was his politicized call to action. blackman akeeb kareem lent him the instruments and let him rehearse in his sitting room. dorgu sets his stall out early in the reggae-tinged ‘free my people’ calling for freedom for south africa, freedom for zimbabwe, indeed, freedom for all. thankfully political injustice hadn’t rid emma completely of his urge to get on down. the new york ghetto funk of ‘roverman’ and ‘loving’ and the straighthead boogie of ‘afro fever’ leaven the message with a funky beat and an irresistible pull towards the dancefloor. on roverman emma dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. protest music has never sounded so funky.
(peter moore)

the wizards sound is a mixture of different genres, combining elements from primarily soul, fusion and psychedelica. for this album the unheard tales of ..helga schröder, the two front-wizards wim tops and peter revalk put together acompilation of un-released tracks from the recording vaults

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

a bona-fide nigerian prince and probably the only musician to have ever played with fela kuti, miles davis and bob marley, eji oyewole combined african highlife with western jazz to create a hybrid so that was as smooth as it was funky. his first album, charity begins at home was an angry tirade against corruption in nigeria. me & you is his ‘relationship’ album, a brighter and happier set of songs that sees eji all loved up, presumably with the mysterious ‘cameleon’ featured on the cover. eji’s flute is no longer a strident voice raised in anger. instead, on ‘me & you’ and ‘i’m a dancer’ it is a playful line of seduction. on the wonky and woozy ‘eniafelamo’ his sax is a post-coital salutation. even the one political track, ‘long live nigeria’, is a loved up call for peace, progress and trust. chilled, assured and dexterious, me & you is a sophisticated showcase of eji oyewole’s chops. ‘this is the beginning of an atomic musical evolution,’ he declares on the cover. ‘brothers and sisters, stay cool.’
(peter moore)

how do you follow up a stone-cold afro funk classic like village boogie? simple. gather together some of the hottest players in nigeria, take them down to the phonodisk studios in ijebu igbo and let them loose on a bunch dancefloor fillers you spent the last four years ‘road testing’ in kaduna. and don’t forget to get lady franka and mariam pledge in on backing vocals. those girls know how to fire up a party. it helps, of course, if you’re steve ‘dudu’ black. steve had a god-given knack for writing combustible dance tunes and the contacts in the industry to get the likes of willy nfor, willy roy and felix lebarty to make them explode. from the opening track, ‘osasuima’, the heat never stops. on ‘no stopping me now’ and ‘ololufe/ stay the night’, it’s almost too hot to handle. polished in a studio in london while musical youth recorded pass the dutchie in the next room, happy birthday to u is the gift that keeps on giving – an irresistible blend of highlife, afro beat and afro funk that is guaranteed to start a party on any dance floor.
(peter moore)

kiki gyan’s star didn’t burn long, but it burned bright. drafted into the afro funk super group, osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. ‘life was good, man,’ he told journalist kweku sakyi-addo. ‘too good!’. in 1983 he dived head first into the new york party scene. he took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record feelin’ alright, his third and final solo album. all the kiki gyan trademark elements are present and correct. the album is unique a blend of highlife music with electronic funk and disco. ‘rosemary’ follows the formula most closely and was a hit across nigeria and ghana. but on ‘give it to me’, ‘love to love you’ and the title track, you’ll hear a slicker, boogie-influenced sound that has made feelin’ alright one of his most sought-after albums. kiki gyan would never hit such heights again. his addictions eventually took hold and he died aged 47, destitute and alone. feelin’ alright remains one of the brightest stars in his extraordinary constellation.
(peter moore)

hi quality deep house

das kingston all stars projekt wurde von einigen der talentiertesten musiker kingstons ins leben gerufen um den glorreichen tagen des reggae s tribut zu zollen. angeführt von moss raxlen hat sich ein illustrer kern legendärer sessionmusiker wie z.b.drummer sly dunbar (sly and robbie), bassist jackie jackson (supersonics, beverley’s all stars, toots and the maytals), gitarrist hux brown (lee ‘scratch’ perry, now generation, the revolutionaries, compass point all stars) und keyboardist robbie lyn (now gen, peter tosh, robbie & sly) zusammen gefunden um dieses projekt in angriff zu nehmen. mit einem begleitenden, etwas später erscheinenden, dub album und einer reihe von live auftritten in verschiedenen ländern ist das album nur der beginn der kingstion all stars.

limited editiondas kingston all stars projekt wurde von einigen der talentiertesten musiker kingstons ins leben gerufen um den glorreichen tagen des reggaes tribut zu zollen. angeführt von moss raxlen hat sich ein illustrer kern legendärer sessionmusiker wie z.b.drummer sly dunbar (sly and robbie), bassist jackie jackson (supersonics, beverleys all stars, toots and the maytals), gitarrist hux brown (lee scratch perry, now generation, the revolutionaries, compass point all stars) und keyboardist robbie lyn (now gen, peter tosh, robbie & sly) zusammen gefunden um dieses projekt in angriff zu nehmen. mit einem begleitenden, etwas später erscheinenden, dub album und einer reihe von live auftritten in verschiedenen ländern ist das album nur der beginn der kingstion all stars!

neben der cd und der 2lp+cd mit coverversionen erscheint eine streng limitierte prachtbox, die nicht nur diese, sondern auch bisher unveröffentlichten originalaufnahmen aus den frühen neunziger jahren, sowie einer verspäteten extended version, die die band selbst noch einmal eingespielt hat enthält. neben den coverversionen, die ja eigentlich alle die zeitlosigkeit der sterne zelebrieren, findet sich in dem in jeglicher hinsicht hochwertigen lp-boxset (gestaltet von yannick riemer von isolation berlin) dann noch etwas, das wohl doch als relikt bezeichnet werden kann. zwei demos der sterne, kleine schritte stolpern und sturm über der hallig, zeigen auf 7-inch-vinyl eine frühe version der band, ganz im charme ihrer hanseatischen jugendlichkeit (1991). die sterne selbst und erobique, sowie pollyester auf der flip, markieren auf einer ebenfalls beiliegenden disco-12-inch das andere ende des zeitstrahls (2016). so werden die beigaben plötzlich zur klammer eines kleinen universums, in dem sich aufzeigt, dass musik am schönsten ist, wenn sie nach 25 jahren bandgeschichte noch immer zwischen lustvoller virtuosität und dem charme des dilettantismus zu pendeln vermag, bringt es hendrik otremba, sänger der band messer im info zum album auf den punkt.

here is the next edition of the beloved -parquet most wanted- series featuring finest melodic techno & house sounds by ruede hagelstein, solee, oliver schories, d-nox & beckers, rauschhaus & peter groskreutz and aemes. the tracks of parquet most wanted vol. 7 are already played & supported by a-list djs like frankey & sandrino, victor ruiz, jeremy olander, guy j, dubfire, noir, acid pauli, gabriel ananda, hernan cattaneo only to name a few...enjoy.

in the midst of a busy year, full of wildly-varied accomplishments, david lieske (aka carsten jost) has surprised us all with an unannounced 11-track full-length album on dial-- his first since 2000’s “you don’t need a weatherman…” in the interim he’s kept busy curating countless releases on dial, the label he co-runs with peter “lawrence” kersten, celebrated a 15 year label anniversary with an all-encompassing 2lp/various artists

peter makto & gregory s, nadia popoff, marko nastic, simone m, cristiano cellu feat. gabriel blue, delivered the first various artists of be apart music, a 4 tracks vinyl only release that goes from a minimal approach to a musical groovy beats.

for his latest release, dirt crew and quintessentials favorite ponty mython has linked up with washington, dc-based imprint better listen for a five track package of globally inspired groovers. the house for sale ep maintains the sample-based production aesthetic of better listen s debut record, and draws heavily from rare african funk and disco sources. the vilnius-based producer s trademark eclecticism is injected throughout the record, with the a-side leaning more towards wonky, left-field house cuts and the flip hosting more disco-like arrangements. dj support sleazy beats recordings mike w. (kolour ltd) thatmanmonkz aaron dae (razor-n-tape) admin rabo & snob the last trip to gandahar sol power all-stars napoleon folamour secret reels peter croce (rock steady disco)

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

cubicolor present their debut album ‘brainsugar’ as a double vinyl edition.
having launched in 2014 with two members, dutch producers ariaan olieroock and peter kriek, cubicolor now welcome british vocalist and former duologue front-man tim digby-bell into the band as their third member, following much loved collaborations on ‘falling’ and ‘mirror play’ over the past 12 months. in his time with duologue, tim produced, co-wrote and sang on two records acclaimed by the likes of the guardian, nme, diy mag and the line of best fit.

repress available! soundway records present a new compilation of twenty rare and mostly unavailable tracks from the slick and sassy world of nigerian pop music and club culture of the early 1980s. comes on triple 12 inch + bonus 7 inch vinyl, download code and 8-page booklet in gatefold sleeve.

white double vinyl in gatefold sleeve.

editions mego is proud to publish the third release by sendai. comprised of peter van hoesen and yves de mey, ground and figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. moving away from the twitchiness and anxiety of the earlier output ground and figure is a vast spacious journey from a duo in full control of their chosen path.
throughout ground and figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. a thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one.
this is machine music. this is hypnotic disorientation. this is an immense ambitious and refined world of sound and rhythm. this is the work of two producers who continuously try to top up their skills.
the double vinyl lp includes a download code.

after three years in the making, the followup to light in the attic’s game-changing i am the center box set is finally here. the microcosm: visionary music of continental europe, 1970-1986 is the first major overview of key works from cosmically-taped in artists needing little introduction — vangelis, ash ra tempel, and popol vuh — and unknown masterpieces by criminally overlooked heroes like bernard xolotl, robert julian horky and enno velthuys.

selten kann man beim erscheinen eines albums behaupten, dass der musikgeschichte ein fast komplett neues kapitel hinzugefügt wird. und doch so geschehen bei -music with a message: celestial explorations into german church rock-, welche hochoffiziell und zum ersten mal dokumentiert, wie im zuge der christenbewegungen der späten 60er und frühen 70er jahre rock, soul und funk auch in christlicher musik in deutschland einzug fanden.
die vinyl-lp erscheint inklusive downloadcode.

take a voyage to disco paradise with the last trip to gandahar. the last trip to gandahar (of city fly records) comes correct with his first solo ep after turning some heads with r136a1 earlier this year. echoes of paradise is four tracks of sample based disco smoothness. danceable, jazzy, and pensive all at once. dj support: thatmanmonkz lee dearn (secret reels) mike w. (kolour ltd) osmose (smokecloud records) peter croce (rocksteady disco) pontchartrain aaron dae (razor-n-tape) meistro (sol power sound) dorsi plantar jonna (city fly records) the silver rider sleazy beats recordings ethyene

after releasing their own debut record in 2014 the hamburg based group sky walking formed by peter kersten, christian naujoks and richard von der schulenburg now celebrates the launch of their self-titled label. by bringing together an international line-up of artists mostly associated with the new and experimental music scenes in cities like hamburg, berlin and new york sky walking not only establishes a link between different locations and their specific (local) scenes – with the golden pudel club in hamburg somehow functioning as a bermuda triangle – but also between different generations of artists from these scenes.

as claremont 56 speeds towards its’ ten-year anniversary, label founder paul murphy continues to champion little known producers and previously unheard artists.
over the past 12 months, the label has showcased material from rising talents such as bella figura, simon peter, paraiso and oma & amberflame. now, claremont 56 is adding another new name to the roster: statues.

vinyl 12 inch , incl dl code
following his last two ep releases on southern fried records, half-austrian/half-russian artist producer motsa (real name valerio dittrich) has announced his forthcoming fourth ep petricolour , due out 4th november on his own label imprint. petricolour ep is written about the decline of our western society, its beauty, wealth and our opportunities having reached a peak and the onset of gradual decay. this is reflected in the accompanying artwork (photograph by andreas peter wall) , the flowers symbolising deterioration but retaining some beauty and hope. throughout the ep, motsa incorporates organic textures and sounds recorded from nature and his surroundings.

die australischen electro-vordenker von empire of the sun laden ihre fans diesen herbst zum dritten mal in ihren vertonten garten der glückseligkeit: das dritte album »two vines« wurde in hawaii und los angeles aufgenommen und von empire of the sun und peter mayes (sia, the killers, mika) produziert – und mit jonathan sloan hat ein angestammter gast im studio ausgeholfen.
die vinyl-lp erscheint im klappcover, downloadcode inklusive.

gold is a carefully compiled 12inch vinyl sampler featuring some of the best club music tracks ever. feat. fidel astro aka glenn castro, hodini, georgi barrel, peter clamat, blunted monks, roman rauch and torpedo fred.

despite the renewed interest in music from kenyas past, finding these tracks and their rights holders hasnt become any easier. only a handful of music archives around the world harbour collections of kenyan music, and just a few private collectors in kenya and abroad have been sharing catalogue info online or privately. one of the problems with east african music of this era is that much of it was originally released only on 45 rpm, seven-inch vinyl singles, many of which were only ever produced in tiny runs of a few hundred. 45s with their thin, paper sleeves do not age as well as lps and are often far more susceptible to the elements

waxwork records is thrilled to announce the vinyl debut of shock waves. the 1977 film stars horror movie legend peter cushing and is directed by ken wiederhorn (return of the living dead 2). the 100% analog synth score composed by richard einhorn (the prowler, dont go in the house) marks one of the earliest electronic compositions created for film. waxwork is proud to finally release this landmark electronic horror score in vinyl format 40 years after the films initial public release.
pressing on coloured 180 gram vinyl, housed in a heavyweight old-style tip on gatefold jacket with printed insert.

australian label nightime drama, run by peter fincher (aka vibrio) and shaun franklin (aka trebek) now serves up its second standout release of 2016. this four track affair comes hot on the heels of the last by yoshihiro arikawa, and is a second release on the label by aussie live act, dj and producer trinity, with steven tang and italian based andee on the remix. trinity has also released on ooc, coincidence and android muziq and regularly performs all round europe. his sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. cascade drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. from the earthmothern label and one half of rk s, andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. the longform groove is physical and cerebral in equal measure. the next original is expansion, and again finds trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. emphasis boss steven tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

following the success of their 4th album malamore released in april this year, french duo the limiñanas have now trusted london star dj, producer and friend andrew weatherall to remix the flagship single garden of love (feat. peter hook). the collaboration has resulted in two unique remixes. when we released je ne suis pas tres drogue in 2009, andrew played it in his radio show in london. then bernie fabre contacted me because andrew wanted us to play in his festival de la city a la cité in carcassone. thats how we met. when we worked with peter hook, the idea of a maxi with one or two remixes made sense. so we did this record with the original edit of garden of love and two remix edits by andrew weatherall. - lionel liminana

peter kremeier, aka losoul, has always been an artist weve greatly admired here at hypercolour, so its a real thrill to have him on the label at long last. a huge catalogue of eclectic, distinctive and funky music for labels like playhouse, moodmusic and freak n chic, losoul turns in two exceptional tracks on the slowly turning release here.

repress !! for the sixth release on tardis records, label owners eli verveine and oscar schubaq proudly present two tracks from the personal archives of peter kremeier a.k.a. losoul, a man who has been rocking dancefloors and enchanting listeners with his uniquely abstract and tripped-out take on minimal house for two decades and counting. on the a-side, * soda island* hangs cut-up vocal stabs over the last word in bone-dry, bass-heavy grooves. * sparkling please* on the flip starts out cheerfully but then subtly mutates into spooked insectoid psychedelia anchored by crisp percussion and bass. drop either of these cuts at the right moment and watch the dancers lose their minds! mastered and cut by stefan betke at scape mastering.

new granulart release, pressed on limited coloured vinyl. gltd005 is a split ep from label boss kessell and emerging artist eric fetcher with recent releases on aine and children of tomorrow.
early feedbacks from oscar mulero, luke slater, dvs1, pfirter, jonas kopp, peter van hoesen, paul mac, angel molina, eric cloutier, shlomo, blawan, truncate, jeroen search, kwartz, birth of frequency, ben sims, samuli kemppi, vince watson, answer code request, dimi angelis, marcel dettmann, tommy four seven, alexander kowalski, slam, raiz, developer, james ruskin, francois x, zadig, kirk degiorgio ...

der name des 10ten erasure albums ist programm: sie interpretieren die songs anderer künstler neu. 12 coverversionen räumen nicht nur andy bell die möglichkeit ein seine stimmlichen fähigkeiten auszuspielen, sondern lassen auch vince clarke die gelegenheit, die titel nach seinen vorstellungen gänzlich neu zu arrangieren. die neu-edition auf vinyl ist 180g schwer. bei der auswahl setzen erasure auf künstler die sie beeinflusst haben: buddy holly (-true love ways-), peter gabriel (-solsbury hill-), the righteous brothers (-you ve lost that lovin feelin -) und buggles (-video killed the radio star-). produziert wurde das album von gareth jones. mit einer top-20-postion in den deutschen charts war das album auch hierzulande entsprechend erfolgreich.

daniele baldelli producer now has nothing to envy about daniele baldelli the dj. this is demonstrated by the authoritativeness of the first two 12”s of six in the series -cosmic temple” on the mondo groove label. what first strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logoa cosmic. but immediately after the music takes the stage: 3 tracks in -chapter 1- and 3 tracks in -chapter 2-, are able to tell the true mood of the imaginary baldelli’s sound and take them to a land of wonders. chapter 1: numbers like thyratron, with ricky burattini (justofunk) on piano, playing a utopian fusion as if peter daou was weaned at cosmic in lazise (italy) instead of the paradise garage in new york, or inner light, francesca amati with the voice, which is pure 2015 electro-pop, and the rhythmic bass on diffrazione.

nice price deal !!! (1/2 radio edit + peter von poehl version) limited blue 7inch!!

nice price deal !!! remake of the sos band classic! including cube guys, peter gelderblom and mats mattara vs stefy de cicco mixes!